A collection of b-sides, rarities and alternate versions, order below (vinyl ships within 1-2 business days)
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SIDE - B
1. Take Cover
2. When The Other Shoe Falls
3. No Such Thing As Love [Original Version]
4. Can't Be That Bad (If It Feels This Good)
5. The Blame Game
6. How Blue [Acoustic Mix]
7. When The Dog Day Comes
SIDE - Be (sides)
1. If...
2. Blow Up The Radio
3. A Watched Pot
4. Mailman's Son
5. In Love With My Lover [Demo]
6. Save It For A Rainy Day
1. Take Cover
2. When The Other Shoe Falls
3. No Such Thing As Love [Original Version]
4. Can't Be That Bad (If It Feels This Good)
5. The Blame Game
6. Don't Take It Personally
7. How Blue [Acoustic Mix]
8. If...
9. When The Dog Day Comes
10. Blow Up The Radio
11. A Watched Pot
12. Mailman's Son
13. In Love With My Lover [Demo]
14. Save It For A Rainy Day
1. Take Cover
2. When The Other Shoe Falls
3. The Blame Game
4. Don't Take It Personally
5. How Blue [Acoustic Mix]
6. Mailman's Son
7. Can't Be That Bad (If It Feels This Good)
8. If...
9. When The Dog Day Comes
10. Blow Up The Radio
11. Save It For A Rainy Day
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Limited Edition #1
Blue Vinyl 150 Gram LP & HD Digital Album Package only 100 available, numbered & signed with
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Limited Edition #2
Black Vinyl 150 Gram LP & HD Digital Album Package only 300 available, numbered & signed
$25
written by Bleu, T.A.W.G.S. and Dwight Baker
produced by Bleu
…this is another song written with pro-writer-types at a song-retreat
put on by Ed Roland..TAWGS again, and Dwight Baker (Kelly Clarkson/Bob
Schneider)….theoretically it was also meant as a pitch-song, although,
when i started working on the recording with Ducky it immediately felt
like a "Bleu" song….again, i fully intended on putting this on FOUR,
but i just couldn't find the right spot in the sequence for it…it iS
kinda over-the-top Beatles- y (not that that's a bad thing obviously)..
written by Bleu and Roger Joseph Manning Jr.
produced by Bleu, Roger Joseph Manning Jr. and John O'Brien
….this is another funky Roger Joseph Manning Jr. collaboration - was
originally meant to be a pitch song…it's got some of Roger's signature
70's synth-isms...Roger's pal John O'Brien (famous for his film work)
finished up the production and mixed this jim-jam…i think (i hope) it's
got a little bit of Kool and The Gang in there(?)…
…i wrote this song with a long-time friend and collaborator Eric
Barao…i really loved this song of his "Sugar and Cream" (which will be
on his upcoming release, which i did some producing/playing/mixing on)
and basically, i suckered him into writing a new tune based on it….if i
remember correctly, we recorded everything pretty quickly on the spot
in his basement (?)..except the drums, which were done later by my
drummer at the time Dylan Halacy (at Tony Goddess's studio in Central
Square)…anyway..i always liked the energy of this thing and i think
it's a very appropriate title for the last track of this b-sides
record!...
written by Bleu, Troy "RADIO" Johnson and TAWGS
produced by Bleu
…this was actually written as a "pitch song" (for an American Idol winner if you can believe it)…my two collaborators TAWGS (Chantal Kreviazuk/Josh Groban) and Troy "RADIO" Johnson (Will Smith/JLo) are very successful pop writers, and we recorded the initial demo at Radio's church in Pasadena…the pipe organ and piano that you hear on this recording are the real deal, and the vocal was done right in the middle of the church too!…i asked my buddy Steve Lu to write a string arrangement to put on top of what we had, and he really made it freakin' ePic…i fully intended on putting this on FOUR, but i just couldn't find an appropriate spot for it…i'm glad this song is gettin' it's "due" here…
